Monday, March 4, 2019

Quick Takes: Overload, Anna and the Apocalypse, Hole in the Ground, Slender Man




Hole In The Ground is an artfully shot Irish tale with a dread & tension-filled first half anchored by fine performances. It gives up the ghost early on then gets derailed by plot holes & generic tropes revealing an underdeveloped script. It's a near miss more than a fail.




Overlord is an uncomplicated wartime feature that nosedives into Nazi horror territory. It opens with booming vigor but settles into a dull lull with little character development or storytelling. Then suddenly it reanimates for a fun, gory, action-packed, B-movie finish.




Anna And The Apocalypse pushes genres first gleefully then absurdly like a modern Rocky Horror. The pop songs are catchy, carnage is crunchy, and then there's a breakneck tonal shift. It’s zombie horror after all! An utterly unique pastiche and an instant yuletide classic.



Slender Man was quite a feat: first film to be conceived entirely by web bots, filmed in complete darkness (screw you lightbulb), and shot/edited before a script was written (save the talky-talky for reshoots). What efficiency in ruining a creepy story for a cash grab.

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