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If you get down to the nitty gritty, there's two things I love in a horror movie: wild ideas and a respectable execution, with extra credit if it attempts a 70s or 80s pastiche. The Void is unhinged, unabashedly weird, and audaciously retro. While it's not a screaming success across the board, there's so much great stuff here that fans of John Carpenter's early work, Stephen King, and H.P. Lovecraft should run to find this. It's easily one of the best horror films this year. For starters, understand The Void is an indie with no-name actors (unfortunately only one or two notable performances) and while it's a low-budget film, it makes the most of every aspect. Every dollar of it's budget ends up on the screen. This is a hardcore 80s throwback with a deliberate slow pace, solemn tone, and epic cosmic horror that echo classic films like The Thing , From Beyond , and Hellraiser. It is also a messy, gory film with horrific monsters done with practical effect

A young boy with a terrible disease got a birthday to remember when his family and neighborhood celebrated his favorite holiday five months early. Thank you to the Castaic, CA community for making sure this boy didn’t miss Halloween! ( Read more at ABC News )

The Alien universe continues to confound. I was on the side of loving the big ideas of  Prometheus and its last minute reveal that puts it firmly in the canon. However, I'm not really sure what to make of Alien: Covenant . It's much less ambitious and more of a middling effort that adds little to the lore... but is more gory and has more monsters (yay)... but has little story or character development (ney). I wish I had cared more about these characters and felt greater sympathy for their truly chilling screaming death fits. It's more of a plodding horror film (like Alien ) that has some fleeting terrifying moments, when it's not backsliding into being overtly contemplative or slow moving (like Prometheus ). Looking at it plainly, Covenant is more of a "spin-off" with a cast of unknowns and its own story than a true sequel or prequel. And finally, if you're going to have a "twist ending" make sure the audience doesn't see it coming an hour