Tuesday, December 24, 2019

Wishing You A Scary Christmas

Thank you for visiting my blog and Halloween site. May your night be a silent one and may Krampus be nowhere in sight.


via GIPHY

Saturday, December 21, 2019

FX's A Christmas Carol is Bleak & Beautiful

FX’s gritty take on A Christmas Carol is neither a holiday classic reborn, nor meant for audiences fond of the heartwarming adaptations based on Charles Dicken’s novella. This is a new story about the cost of being good. It’s relentlessly bleak & grim with problematic moments that will distress many audiences at the peak of the yuletide season. There’s also some unexpected nudity & gore including scenes with a ripped off jaw, a mouse beheading, and bloody explosion. The movie presents an unpleasant reality of life and it’s a world far away from a Norman Rockwell commemorative dinner plate.

So the question is why take a well-known story and push it to such dark corners? There’s definitely some counter programming from the FX network for those oversaturated with saccharine holiday fare. More pointedly though, is the vexing need to understand our monsters. Our world is full of them from the White House to the mall shootings. It’s not simply enough to know that someone is bad. We want to see why they are bad and how they became the villain. Perhaps as a cautionary tale or perhaps as a barometer for our own deeds.

Most of the movie focuses on Ebeneezer Scrooge's (Guy Pearce) current and past relationships including his rather mouthy clerk Bob Cratchit (a fine Joe Alwyn) and Mary Cratchit (a resolute Vinette Robinson). The machinations may be different, but the ghosts and the lesson remain the same. A damaged soul may never mend but with a commitment to work, goodness may still be possible. Don’t we all seek redemption? Here we see the beginning of one man’s journey in that work but the ending feels incredibly rushed. I feel some editing was made to the U.S. version of this BBC production which airs with no commercials. The end will placate the need to see some sort of resolution even though the final moment with a stock "magical" character is seriously unforgivable.

However grim the journey, the cast keeps the viewer engaged for the nearly three-hour ordeal, as does the production design which is absolutely beautiful to behold. There's a definitive touch of darkness with lighting and set pieces that suggest a nod towards the horror genre but ultimately this is an evocative drama with fantastical elements. It shouldn't be missed but not recommended widely to general audiences.





Editor's Note: While I love the poster artwork for the TV movie, I absolutely despise when poster elements have little to do with the actual movie. The sharp-nailed grim reaper figure featured prominently in the poster is nowhere to be seen in the final production! BOO!


Friday, December 20, 2019

Nightmare Before Christmas Village 2019

Nightmare Before Christmas is the perfect inspiration to bridge Halloween with the yuletide season, especially for someone who like to keep things scary year-round. This year I finally also made a Man Eating Wreath that appeared only a few seconds in the film but utilized prominently in Disneyland's Haunted Mansion Holiday. If you're a fan of the film, you must get to Anaheim, CA during the autumn to see Jack Skellington's takeover of the Haunted Mansion ride. The imagineers dress up every corner of the spooky house ride with whimsical, Burton-esque flair (see below for ride through video of the 2019 version from LMG Vids).












Friday, December 13, 2019

Quick Takes: Wounds, The Nightingale, NOS4A2



Wounds spirals an earnest cast down a dark tunnel of compounding dread. The anxious sound design & bizarre effects cast a harsh, unsettling spell. It’s confounding niche horror with a Lovecraftian touch that will leave some unsatisfied & others unspeakably terrified.



The Nightingale is a somber, grueling & enraging piece of artwork with deeply realized characters overcome with vengeance. Its paper thin story reveals an aimless third act that struggles to get to a peak. But well-crafted filmmaking & relevancy make a bold & impactful statement.



NOS4A2, Joe Hill’s take on vampires and metaphysical psychic abilities was a wacky, weird ride in book form with rich characters, a twisty & episodic plot, and an undeniable thin vein of humor. The TV series based on the book was not as much fun, retained the darker elements with a simplified plot, and inexplicably added heaps of bland melodrama. This drama wasn’t organic. It felt like the show creators received a note from AMC telling them to amp up the (low-cost, filler) drama like The Walking Dead does. This makes it a bit of slog and keep me wondering if fewer episodes (or even a movie adaptation) would have been better. The performances were especially well-crafted, notably by Zachary Quinto’s age shifting ghoul who could emote from within a trash bag if needed, but the conspicuous Bawstan ack-cents were quite a choice. Overall, I found this entertaining enough to recommend but the book is not to be missed.