SeñorScary.com

  This past weekend, a giant asteroid named Apophis zoomed by Earth at a comfortable distance of over 10 million miles. Its next pass on April 13, 2029 will be a different story. It’s estimated to pass at a distance of only 19,000 miles from earth, much closer than the moon (which is about 239,000 miles away) and even closer that some of our satellites (which hover at about 22,000 miles). Scientists, at this time, do not believe it will hit Earth, but may travel through a “gravitational keyhole” or what I like to consider an Earth hug that sets up an uncertain future. Space is the ultimate serial killer, indiscriminate and always comes back with more trouble. If all this sounds like a sci-fi movie, you are right! In the recent film Greenland , Gerard Butler plays a man trying to save his family from a giant asteroid and an extinction level event. Asteroids often break up or pull in smaller asteroids while traveling in space, so the movie portrays the impact of several pieces and one g

The pandemic shut down movie theaters, the movie industry was in a profit standstill, and thus the $19.99 Premium Video on Demand (PVOD) rental was born. VOD rentals typically range from 99¢ to $6.99 so the markup on PVOD titles was exceptional, even more so when you can purchase a digital movie for an average of $14.99. Some balked, some paid, and now consumers are watching industry titans at war. On March 20, 2020, Universal drew first blood making by making  The Invisible Man  available for home viewing a mere 3 weeks after its theatrical release, a bold unprecedented move that wrecked the nerves of the (flailing?) industry. Until now, a gentleman’s agreement on release windows for mainstream movies was strictly obeyed: first-run was always in theaters, 3 months later on to the home rental market (VOD) and physical BD/DVD sales, a few months later they go to premium cable networks, then 2 years later onto free broadcast networks. Netflix and other streaming services have since chang

Described by director Jordan Graham as a “filmmaker’s film,” Sator doesn’t offer an easy narrative, jumping around a timeline at an unhurried pace. The nonlinear structure will test the patience of most horror audiences, and yet the artfully composed cinematography and undercurrent of malevolence draws you in. The lead performance is almost wordless, and the scattering of random characters are introduced without any clear connection and the least possible dialogue. Sator is folk horror, conjuring up those dark things that infest the backwoods at night. Within lies an entity fixated on a family for generations – or perhaps it's all undiagnosed mental illness, since there’s some allusion to breakdowns and trauma. The film’s tone is bleak, bewildering, creepy, and deeply unsettling. The sound design takes on a life of its own, with a constant droning mix of whispers, distant screeching, birds, growls and wails. Sator is defiantly enigmatic, but just one repeated viewing helps unrave

  Netflix’s oddly-titled Crime Scene: Vanishing at the Cecil Hotel premiered last week and we now have some resolution to the tragic story of Elisa Lam. Or do we? Conspiracy theories emerged because of the bizarre elevator video (below) at the center of this case, the even stranger outcome, and the inconsistent answers provided by the LAPD, an agency fraught with historical corruption and cover-ups. Also, we should question the merits of all media, especially documentaries that are purported to present facts. In many cases, facts are just conjecture in a fancy package. This is Elisa’s story and her name isn’t even in the title. The documentary feels very unbalanced tipping towards sensationalism at best, or at worst, perhaps having ulterior motives. Here are my observations and thoughts: The series is book-ended with Elisa’s carefully curated words, directly as she wrote them on her blog, intoned with a glib optimism, and yet her story is the most muted in this series. I didn’t get a

Love is in the air and it’s tainting my horror movie experience. I admit that I generally loathe romance movies and their bodice-ripping tropes. Horror tropes, though, are cool. But it’s 2021, and genre mash-up is practically a requirement at this point.  At a cursory glance, it seems that romance has always been a part of the horror genre. Frankenstein’s monster loved his bride. Norman Bates loved his mother. The Blob loved everything in sight (no shame). These are definitive horror movies with some romance elements. The curious hybrid of horror + romance  stands on its own, and it's on the rise. Perhaps a younger generation of emerging directors, with a greater sense of self-awareness and identity, feel less constrained about exploring feelings as a topic. Also, the horror genre historically has been more avant-garde, experimental, and welcoming of eccentricity. The horror romance sits pleasantly at the table alongside the horror comedy, horror musical, horror melodrama, horror f

  In the last few moments of Alfred Hitchcock’s Psycho, Norman Bates sits quietly still, utterly insane, engaged in a deep inner monologue. He looks slyly at the camera and thinks to himself that he wouldn’t even harm a fly. Then a menacing, evil grin sprouts across his face. This deranged energy is where actor Sonny Grimsley starts his journey as the protagonist in the entertaining horror short film The Tell Tale Heart . He tears into this role like a man whose just been served a porterhouse steak, his teeth sinking into the meat of Edgar Allen Poe's madness. Based on Poe's short story of the same name, the flowery prose depicts an arrogant narrator recounting his presumably clever cover up of a brutal murder. The film creates a dreamlike aesthetic with a disorienting timeline, swooping camera work, and a slurry of blood, guts and madness. It’s highly theatrical and chaotic, never letting the viewer gain a sense of equilibrium, much like Poe’s evocative story. I would have pr

  From a young age I was exposed to death. I could understand but not process   what happened, and I asked what came after death. My father told me I could travel through the entirety of the cosmos and learn everything I didn’t learn about life. This is how my lifelong fascination about the afterlife began. After my father passed, I pictured him visiting the stars and it brought me peace. Netflix’s new series Surviving Death tackles the afterlife with six well-presented episodes of straight-forward investigation, historical review, case studies, and interviews with researchers in the fields most closely associated with the subject. There are no experts or single line of study in the afterlife, but there are practitioners that specialize in everything from mediumship to ghost hunting to doctors who study end-of-life dreams and visions. The show offers no judgment or opinions about the validity of process, but it does feel supported, avoids unnecessary spectacle, and offers some compell

A year ago I joined Letterboxd ,   a social networking site where users log the movies they watch, add reviews, and follow others with similar interests to discover films. It’s a haven for movie geeks with a calling for making lists, and I imagined users would express their joys about movies with complete abandon. But spoiler alert: so much of the commentary is snark, complaints, and outright bitchery. These are people who supposedly  love movies  and use their time to write trash about them. Like friends, family and life, movies aren’t perfect but there’s usually something to enjoy, and it's said that every film made is someone's favorite.  I'm currently in a film studies program and I've begun to experience movies is a new, more thoughtful and artful way. My entire personal journey is marked by the movie watching experience, from childhood where I watched movies with my father and brothers, through adolescence where they showed me a world I was about to start explorin

While I looked away, The Travel Channel delightfully morphed into an exciting outlet for all things paranormal and weird (also its now called TRVL?). This past summer they announced a new series of documentaries called Shock Docs and after the first one aired, I didn’t hear anything else. It’s not surprising since they don’t seem to market their specials well, have an elusive social/blogger presence, and their website appears hopelessly out-of-date most of the time. (Update: Found a page on Facebook dedicated to ShockDocs .) Perhaps their efforts have been spent on launching the new Discovery+ premium streaming service launching today, January 4. My guess is that they've saved up these documentaries as exclusive original  content for the streaming service.  Here are the one’s I’ve read about so far, including two unaired documentaries that both have (hidden) pages on the Discovery+ site. (FYI: Verizon Unlimited customers get a free subscription, otherwise you'll have to sign

One year is dead and buried (screw you 2020 for so many awful things including ruining Halloween), and another kicks off with a fresh new blog design (to make it much easier to read) and like Miss Patti LaBelle sings, ooh-oh ooh-oh I got a new attitude.  I've reopened Comments section after last year's onslaught of spam (over 3900 spam comments). If you haven't ever commented or connected with me, please do. I've met some great people online to chat about Halloween, horror and everything in between and now more than ever we need a sense of community. I'm always looking for contributing writers, so please let me know if you're interested! Get new posts delivered to your email inbox! Click the three lines on the upper left corner of the site to open the sidebar and find the "Subscribe" section. Enter your email and hit the button. You will immediately get an email to confirm your subscription. New posts are delivered as they are published.  There's

While 2020 will go down as the worst year ever, at least it has been a great year for horror movies. Here are my picks for the best of the best with everything from grim trauma to lighthearted comedy to visual sci-fi madness. I normally pick 13 favorite movies but this year deserves a bonus 7, plus plenty of honorable mentions to round out the list.  1. The Dark and the Wicked - bleak, grim and terrifying haunted house film 2. Relic - family tragedy that is well-acted with an unexpected ending 3. His House - chilling haunted house tale with a unique refugee setting 4. Color Out of Space - bizarre Lovecraftian nightmare 5. Extra Ordinary - hilarious, goofy fun abroad with ghost busters 6. Gretel & Hansel - the classic story gets a beautiful and dark artistic makeover 7. Host - a surprisingly effective and timely ghost story 8. La Llorona - urgent storytelling with deeply resonate themes 9. The Invisible Man - big budget thrills done right with a great lead performance 10. An

 

Before there was light, there was dark and thus begins the folklore of Krampus celebrated throughout Central Europe and now spreading throughout America’s horror-obsessed fandom. It’s simple. If you are good, Saint Nicholas will reward you with gifts. If you are bad, Krampus will come and take you away.  Some anthropologists date the horned half-man, half-goat demon to pre-Christian times, and like-visages appeared in various cultural holidays alongside the then-emerging Saint Nicholas figure. As Christianity spread, chains appeared on Krampus as a way to bind the devil. He was a fearsome symbol of warning, made more humorous over time and completely absent from America’s holiday celebrations, represented now only by the coal Santa leaves to misbehaved children. Krampusnacht is celebrated on the night of December 5, prior to the Feast of Saint Nicholas which is celebrated in several European countries on December 6. In modern times, citizens dress up in the furry Krampus costumes, nois