Ba

BA is a gorgeously shot and hauntingly poetic debut from Benjamin Wong, telling the story of a father who makes a Faustian bargain and becomes a living reaper. Anything he touches dies, and he is condemned to a life of constant soul collection, unable to embrace his young daughter or even show her his skeletal face.

The film is elevated by understated, sincere performances from Lawrence Kay and Kai Cech, whose quiet chemistry adds emotional weight to the narrative. While the story itself is minimal and tends to stall after its initial setup, this isn’t a flaw so much as a reflection of the film’s intent. BA isn’t a plot-driven piece. It’s a mood piece, a meditation on fatherhood, sacrifice, and the quiet ache of love held at a distance.

Visually striking and emotionally resonant, BA marks a promising start for Wong, who demonstrates a strong command of tone and visual storytelling.